Eivind Aarset | Jan Bang
Snow catches on her Eyelashes (LP/CD/DL 2020 Jazzland)
In turbulent times, we need new stories. With «Snow catches on her Eyelashes», we find ten such stories in musical form, created by the duo Eivind Aarset (guitar, bass, electronics) and Jan Bang (programming, samples, editing).
Aarset and Bang have collaborated since the early 1990s in constellations with, among others, Nils Petter Molvær, Bugge Wesseltoft, Sly & Robbie and Jon Hassell. «Snow catches on her Eyelashes» is their first recording as a duo, and is based on the live concept that emerged in the wake of Eivind Aarset's 2012 ECM album «Dream Logic», which was produced by Jan Bang. The roots of their new album can be found by listening to «Dream Logic» and Jan Bang's two solo albums on Samadhisound and Jazzland.
Like its predecessors, this new recording is both modern and timeless. The music consists of elements so far apart in time and genre as dub, contemporary classical, Norwegian folk music and pop music from the 1950's – linked together by Jan Bang’s hallmark sampling technique and Eivind Aarset's continuous exploration of the guitar.
«Seamless» is a key phrase when attempting to describe the resulting collage. Listening to the album, we encounter guest musicians such as Nils Petter Molvær, Anders Engen, Audun Erlien, Erik Honoré, Sidsel Endresen, and Hilde Norbakken. Their contributions are also woven into a seamless whole where the ideas, the compositions, take absolute precedence.
This focus on content and whole, rather than on tools and individual elements, provides the album with its emotional impact. Although technology is a prerequisite for creating this form of music, the album is far from a cold, intellectual exercise.
«Snow catches on her Eyelashes» is an uplifting experience. Tracks like the monumental, dystopic «Monochrome» contribute dark shades to the picture, and sharp edges appear also in the most harmonious passages. Still, the album as a whole is characterized by a lightness that never compromises its depth.
Like snow on eyelashes.
«Snow catches on her Eyelashes» is out on CD/LP/digital on Jazzland.
Arve Henriksen / Eivind Aarset / Jan Bang / Jez Riley French
The Height of the reeds (LP/DL/CD 2018 Rune Grammofon)
"The Height Of The Reeds" started as a commissioned work to the city of Hull, Great Britain´s cultural capital 2017. Composed by Arve Henriksen, Eivind Aarset, Jan Bang and Jez riley French, the work celebrates the longstanding seafaring relationship between Hull and Scandinavia. It was originally the musical companion to a sound walk that took place in April, May and June 2017. Those who took part could listen to the music on headphones while crossing the Humber Bridge. Initially intended for April only, the arrangement proved so popular it ended up with selling out three months, a total of 15.000 tickets. This beautifully evocative music can now be experienced through this release, where only minor adjustments have been done to justify the transition from sound walk to album.
...And Poppies From Kandahar (CD 2010 Samadhisound)
Acclaimed producer and Punkt Festival co-founder releases expansive, lush production featuring Jon Hassell, Nils Petter Molvær, Arve Henriksen, and Sidsel Endresen
… And Poppies From Kandahar, Jan Bang’s first album under his own name, evokes a powerful sense of place – but it’s not a place you would recognize, or ever expect to find. A descendent of Jon Hassell’s “fourth world” concept, it sketches scenes of struggle and malice, in locales both primitive and urbane. As a producer, Bang stitches it together like a patchwork atlas and then makes the seams disappear: live recordings and studio constructions, old samples and new solos come together to form an exquisite whole.
Bang recruits a cast of collaborators from Norway and beyond, who will be familiar to anyone who’s followed his recent productions: trumpeter and vocalist Arve Henriksen, whose albums Cartography and Chiaroscuro were co-produced by Bang; the stunning vocalist Sidsel Endresen, whose captivating turn on “The Midwife’s Dilemma” grows out of a moan and a half-croak; and samadhisound founder David Sylvian, who wrote the titles for each piece and the album as a whole, setting these abstract scenes in a disruptive context.
This is music of the world, but it’s rooted in Kristiansand, Norway, Bang’s home and workplace. His musical career began in the late ‘80s, when he cut his first albums in a synth-and-vocals duo with Erik Honoré. By the ‘90s he was a producer of Norwegian pop acts, when pianist Bugge Wesseltoft invited him on stage with an improvising ensemble. “I had the idea of using musicians as ‘input’ to my sampler instead of vinyl,” recalls Bang. “We called it ‘live sampling.’ I found it appealing to work in a live situation with improvised music where things change at the blink of an eye … . I was able to work in past, present and future, according to what the other musicians were doing and how they reacted to what I was throwing back into the mix.”
Bang started writing the material for … And Poppies From Kandahar in January 2009. “As I often do, I started working on instrumentals which I then presented to the musician that I thought might benefit the track – not unlike the process of making the Cartography album with Arve. … I knew I wanted to write music that had references to my influences, but where I could use my own dialect. I wanted to work with both composition and improvisation on an equal level – using contrasting forms, different dimensions, randomness, parallel directions which weren’t necessarily meant to express anything specific other than to work within the frame of the piece itself.”
The sounds on … And Poppies From Kandahar come from the studio and the stage, close-mic’d instruments and field recordings, the clank of a bottle and the grandeur of an orchestra. Says Bang, “As a ‘samplist’ I collect sounds that may become useful in other situations. It´s much like collecting sand shells without knowing how to use them – just keeping them because of their pure beauty.”
The result transcends idiom or genre. A sample of guitarist Eivind Aarset clicks over humble handclaps on “The Midwife’s Dilemma”; trumpeter Nils Petter Molvær solos over a melody by Robert Schumann. “Self Injury” is a hybrid of live and studio tapes, where upright bass casts a pall over Arve Henriksen’s monastic falsetto. And “Passport Control” excerpts “Gammler Zen + Hohe Berge” by Germany’s Kammerflimmer Kollektief, marrying its urgent tempo to wary brass.
The conclusion, “Exile from Paradise,” is a performance of Sidsel Endresen’s “Undertow” that was taped at Punkt Festival 2008 – and that features Jon Hassell on trumpet. “To me, Jon is one of the most important philosophers of our time. I can hear his influence in a lot of peoples work, including my own.” Hassell’s solo, sweeping and pacifistic, blesses an unforgettable journey across borders and eras, from the fictional to the indescribable.
Audun Kleive / Jan Bang
The Periphery of a Building (LP/DL 2017 Gråtone)
Listing somewhere between the cognitive and the corporeal comes the third release from Gratone. The Periphery of a Building', a live remix work featuring long-time collaborators Audun Kleive on percussion and Jan Bang on live sampling sees the young Norwegian label expound on the territories between extended jazz and the dance floor through a four track LP.
Veterans Audun Kleive and Jan Bang tap into something innate that moves perpendicular to the techno ethos perpetuated by the label's previous releases.
The Periphery of a Building', is a work that brings the past into the present and draws a red thread between genres. It juxtaposes disparate ideas between the dance floor and jazz, and ensnares itself in the tangled web of tradition and progress in a bold indefnable musical dialect. Upholding the ethos of Gratone by negating expectation Periphery of a Building' also calls in a new era for the young, but fertile label.
Periphery of a Building' is Kleive and Bang reconsidering live Punkt remixes* of Etenesh Wassie & Mathieu Sourisseau, AtomTM and Clarinet Factory & Floex. In their selection of source material for the Gratone LP, they eradicate, and then reconstruct tradition.
Dark Star Safari
Dark Star Safari (LP/CD/DL 2019 Arjuna)
Release date: May 10, 2019
Dark Star Safari, a newly formed group featuring Jan Bang, Erik Honoré, Eivind Aarset and Samuel Rohrer present its eponymous recording debut, an evocative song-driven album. These songs conjure shadows of memory, clouds of dreaming and silhouettes of foreboding through the album’s layered, many-textured fabrics and Jan Bang's silken delivery of Erik Honoré's acute lyrics.
Dark Star Safari is the work of four kindred spirits, their open modus operandi, and a remarkably interconnected creative nerve system. Key to their collaboration is an organic freedom that enables the music “to fill itself in", to be self-actualizing via the musicians as medium. The music of the 10 songs resulted from a two-stage process: an initial phase of free flowing open improvisation, and a subsequent exploratory phase where hidden potentials were discovered and nurtured.
DARK STAR SAFARI
Jan Bang - vocals, live sampling, samples, ac. piano, dictaphone
Erik Honoré - synthesizer, samples, synth bass, voice, lyrics
Eivind Aarset - guitar, electronics, bass
Samuel Rohrer - drums, percussion, keys, electronics, synths
Sidsel Endresen / Jan Bang
Hum (CD/DL 2018 Confront)
Live recording released on Mark Wastell´s Confront Recordings. Composed by Sidsel Endresen and Jan Bang. Recorded by Asle Karstad at Victoria Nasjonal Jazzscene, Oslo, December 1st 2016. Mastered by Helge Sten at Audio Virus Lab. Mixed and produced by Jan Bang at Punkt Studio, Kristiansand.
Melt Trio / Jan Bang
Instants (Traumton rec)
New album with the exciting German Melt Trio taken from the 2015 live recording at Xjazz in Berlin.
PETER MEYER guitar, electronics
BERNHARD MEYER bass
MORITZ BAUMGÄRTNER drums, gongs, megaphon
JAN BANG: live sampling
Narrative From The Subtropics (LP/CD/DL 2013 Jazzland)
"Narrative From the Subtropics" is an esoteric, yet remarkably attractive set of new compositions from Norwegian producer, composer and electronic musician Jan Bang. During the three years since the highly acclaimed and Poppies From Kandahar released on David Sylvian's Samadhisound label, Bang has kept himself busy writing new material, and co-composing the soundtrack to Hamsun's "Victoria", as well as co-producing "Dream Logic" by Eivind Aarset (ECM) with creative partner Erik Honoré, both of whom contribute to several pieces on the album. During this time Bang and Honoré also completed the forthcoming Places of Worship by Arve Henriksen; Died in the Wool: Manafon Variations by David Sylvian; and the Uncommon Deities album, derived from Sylvian´s stint at the Punkt Festival in 2011and based upon poems by Nils Christian Moe-Repstad and Paal-Helge Haugen (the former reading his poetry in the setting of Singers Ashes, the album´s second track).
Recorded over a period of three years, this set of thirteen miniatures includes a stellar roster of musicians. The delicate trumpet of Nils Petter Molvær and synthesizer programming of Erik Honoré on funeral Voyage, the naked trumpet and vocals on Sinking Ship courtesy of Arve Henriksen, and contributions from the two equally distinctive guitarists Eivind Aarset and Stian Westerhus which also appear on the album. The genuinely unique singer Sidsel Endresen appears on the Undark/Russell Mills collaboration Tide where Erik Honoré contributes with a field recording along with the sparse double bass of Swede, Lars Danielsson.
The acclaimed classical composer and Boulez protégé, Dai Fujikura - whom Bang and Honoré met while working on Sylvian´s Died in the Wool: Manafon variations album co-wrote Melee of Suitcases, where he contributes with prepared piano and electronics, and also appears as sampled material on Flooded Corridors. The latter piece is part of Noticing Things, Bang´s re-composition of the Fujikura´s composition Spirit of Beings commissioned by the English cellist Matthew Barley as part of the Britten centenary in 2013.
The Armenian pianist Tigran Hamasyan contacted Bang to record for his new solo album and, in return, Hamasyan was invited back by Bang to contribute on Singers Childhood, a traditional Estonian rune song that Bang first heard on a recording by Estonian classical composer Veljo Tormis. This led to an ongoing relationship with musicians in Tallinn, including guitarist and member of Weekend Guitar Trio, Robert Jürjendal who also introduced Bang to the traditional singer and kannel player, Tuule Kann. Both are present, together with Hamasyan, on Singers Childhood, which was recorded in both Tallinn and Paris, with editing and final mixing performed at Bang´s Punkt studio in Kristiansand.
The Norwegian photographer, Freddy Larsen, took the "Gherkin" album cover photo, while the design is by the eminent Nina Birkeland.
Crime Scenes (CD Punkt recordings 2006/Jazzland 2007)
The Norwegian musician/producer team Jan Bang and Erik Honoré’s first release under the Punkt logo is the album “Crime Scenes”, featuring guests like David Sylvian, Sidsel Endresen, Nils Petter Molvær, Arve Henriksen, Eivind Aarset and Audun Kleive. The album was launched at this year’s Punkt Festival in Kristiansand (August 24-26), which was curated by Bang/Honoré and featured many of the musicians who appear on the album.
The starting point for ”Crime Scenes” was a collection of short texts written by Honoré. These lyrics were used in various ways to trigger both vocal and instrumental tracks. The result is 13 “crime scene snapshots” beautifully sketched by means of voices, instruments and electronics.
Punkt featuring Jon Hassell / Sidsel Endresen
Live Remixes vol.1 (CD 2008 Jazzland)
Singer Sidsel Endresen, the First Lady of Norwegian improvised music and a Jazzland Figurehead: a unique voice seemingly capable of the impossible, and a powerful presence - the very definition of charismatic. In addition to extensive touring across the world, she has released a string of acclaimed recordings, both solo and collaborative.
Legendary trumpet player and composer Jon Hassell: influential pioneer of digital transformation and sampling, creating what he has coined "Fourth World" music - a unique blend which describes as "worldly music" to underline a more subtle equation at work and discourage the simplistic labeling of "world," "jazz," "classical," "minimal," or "ambient".
Endresen and Hassell were joined in these Live Remixes by acclaimed Norwegian percussionist Audun Kleive and Punkt artistic directors Jan Bang and Erik Honoré (live sampling, electronics). Bang and Honoré also produced the album.