MICHIYO YAGI &. JAN BANG
Puce Mary & Drew McDowall: Thursday, February 3rd
Michiyo Yagi & Jan Bang: Wednesday, February 9th (Co-presented with AvanTokyo)
Francesco Cavaliere & Tomoko Sauvage: Wednesday, February 16th
Devin Kenny & E. Jane: Thursday, February 17th (Co-presented with Harvestworks)
*All Times 8pm ET
Compound Full of Bones, Translucent Thousands
New album release on Confront Recordings
From the moment I heard that this trio had spent a day in a London studio I have been anticipating the results. Three distinctive musical minds and voices: each familiar, never before together.
Jan Bang’s sound environments are deeply affecting, created with an Akai sampler and interwoven with the work of collaborators in both studio and live remix situations. There’s a sensitivity and respect in David Toop’s sound-making borne from his insatiable curiosity about the evolution of music in cultures across the world. Mark Wastell’s use of acoustic percussion and his explorations into the potential of simple instruments result in nothing short of a spiritual communion with sound.
No parameters were set for the sessions. Three improvisations of around thirty minutes duration were recorded. Afterwards, every sound played in those performances was brought together to create a unified whole.
There are moments where each player’s voice is distinct: the resonance of Wastell’s tam-tam caresses, the bursts and trills of Toop’s woodwind, the pitch-altered looping of Bang’s manipulated samples. But the triumph of this collaboration is the sound world of their combined creation.
There’s an openness in the mix that allows each expression to breathe. It’s like being encircled by some elaborate gossamer sculpture, flashes of colour and light glinting through as it catches the breeze.
The trio’s music creates a strong sense of place, yet you can’t quite put your finger on the exact location. There are crescendos that remind me of the vibrant frenzy once experienced in the Amazonian rainforest. Jan Bang injects into the mix both snippets of his co-creators’ performances and samples collected over time for deployment in just the right context. We hear faint orchestral swells and then voices, both spoken and sung, the recordings degraded so far as to be barely recognisable. These add a strange authenticity to this imagined territory, the acoustic purity of Toop and Wastell’s instruments providing a counterpoint that expands the stage.
Deep listening reveals some beautiful passages where all else subsides but for the elegance of a simple motif. None is more perfect than the gentle melody that emerges to bring resolution in the final moments.
A Compound Full of Bones, Translucent Thousands has an eloquence that transcends both the circumstances of its creation in a small London studio and the finely-honed technique of each individual artist. Expressive, alluring: music with which to share your time and imagination.
released December 11, 2021
Jan Bang - live sampling, samples
David Toop - lapsteel guitar, flutes, whistles, small percussion, harmonica, elastic, paper
Mark Wastell - Paiste 32” tam tam, gongs, beaters, brushes, sticks, bow, autoharp
Recorded by Shaun Crook, London, 22 November 2019
Compositional structure by Mark Wastell
Mixed and mastered by Rupert Clervaux
Cover image by Crimson Wastell
Liner notes by David Nibloe
Design by Matthew Brandi
Produced by Mark Wastell
Nice reviews of Dark Star Safari's "Walk Through Lightly" from Italy and Spain:
«Masterpiece. If we could end 2021 here, I'd close it with this album.» – MusicMap (IT)
«Everything here seems to question the consensus of pop listening, as if this cluster of songs was a distant, astral cousin of Japan's "Tin Drum" (1981) or Talk Talk’s "Laughing Stock" (1991).» – Rockdelux (SP)
«Soft, sophisticated atmospheres, wisely measured out with class and a light touch.» – Blow Up (IT)
The album is available physically or digitally, for example here:
Superb review of Dark Star Safari
Dark Star Safari
Walk Through Lightly › Arjunamusic, 2021
Por Marcos Gendre
20. 10. 2021
Poco caso se hizo en su momento a “Dark Star Safari” (2019), sobresaliente debut discográfico de Dark Star Safari, formación compuesta por músicos con trayectorias tan labradas en terreno vanguardista como las de Jan Bang, Erik Honoré, Eivind Aarset, Samuel Rohrer y John Derek Bishop.
Si en su primer LP ofrecían un muestrario pop a lo Talk Talk al modo David Sylvian (no en vano, Bang y Honoré han colaborado con el dandy del pop experimental), ahora prosiguen en esta misma línea, aunque inyectando fuerza orgánica a la parte instrumental, que en su anterior álbum avanzaba a golpe de atmósfera oscura, depurada entre ritmos disueltos en su propia tracción parsimoniosa.
Aquí las coordenadas prosiguen su particular rastro difuminado, expuesto desde “Patria”, corte con el que arranca este tránsito sobre los restos de canciones que parecen haber sido reducidas a cenizas para poder retomarlas desde su forma disuelta. La ingravidez naciente de esta metodología prende en un sonido descompuesto en ecos eléctricos bajo tierra, vientos casi insinuados o bajos tortuga, abstraídos en el ensimismamiento general sobre el que avanzan canciones como “Life Stand Still”, muestra mayor de talento, destilada por un grupo de alquimistas de las texturas y los sonidos de trastienda. Los mismos que, por momentos, resuenan como una especie de versión psicodélica de los sagrados preceptos ambient-jazz constituidos en el mítico sello discográfico ECM, en el que también ha publicado Rohrer.
Desde la torre mayor de este palacio de cristal instrumental, se yergue la voz mercurial de Bang, cual Bryan Ferry aprisionado en una dimensión espectral de la materia pop. Porque aquí todo parece querer poner en tela de juicio los consensos de escucha pop, totalmente dispuestos, como si este racimo de canciones se tratara de un primo lejano, astral, de “Tin Drum” (1981) de Japan o del “Laughing Stock” (1991) con el que Talk Talk asentaron los mandamientos de la acción post-rock, del cual parece haber sido rescatada la hipnótica “Portraits Of You”. Tanto este corte como el resto que componen “Walk Through Lightly” subrayan la influencia que tuvieron los inimitables Bark Psychosis, aquí sublimada en la obsesión subyacente, en todo momento, por amplificar la sensación de cada uno de los cortes.
El inquietante minimalismo arty articulado en “Measured Response” y “Father’s Day” representan la faceta más personal de un grupo capaz de invocar ríos de belleza tan oníricos como “Invocation”. Corte donde también hacen uso de su praxis, moldeada en torno a una base compositiva mínima, a partir de la que se sumergen en el maelstrom de la improvisación, encauzada desde la composición con partículas sónicas pintadas a lienzo en la atmósfera. Dicha sensación pictórica, sin aparentes amarres compositivos, se hace muy presente en “Murmuration”. Temas como este último aluden a la obsesión lírica de un grupo que, tal como reflejan sus letras, no hace distinciones entre el mundo real y los estados mentales gaseosos, ensoñadores. Tanto como en “Passover” o en la titular del álbum: muestras de peso de lo que significa tallar el aire que nos rodea con sinfonías surrealistas plenas de oxígeno. Las mismas que componen tan sembrado cosmos de pop ingrávido. ∎
Little attention was paid at the time to “Dark Star Safari” (2019), an outstanding recording debut by Dark Star Safari, a formation made up of musicians with trajectories as carved in avant-garde terrain as those of Jan Bang, Erik Honoré, E claim Aarset, Samuel Rohrer and John Derek Bishop.
If in their first LP they offered a pop sampler a la Talk Talk in the David Sylvian way (not in vain, Bang and Honoré have collaborated with the dandy of experimental pop), now they continue in this same line, although injecting organic force to the instrumental part , which in his previous album advanced at the stroke of a dark atmosphere, refined between rhythms dissolved in its own parsimonious traction.
Here the coordinates continue their particular blurred trace, exposed from "Patria", the cut with which this transit starts over the remains of songs that seem to have been reduced to ashes to be able to resume them from their dissolved form. The nascent weightlessness of this methodology ignites in a sound decomposed into echoes under the ground, almost insinuated winds or turtle bass, absorbed in the general self-absorption on which songs like "Life Stand Still" advance, a greater sample of talent, distilled by a group of alchemists of back room textures and sounds. The same ones that, at times, resonate as a kind of psychedelic version of the sacred ambient-jazz precepts constituted in the mythical record label ECM, in which Rohrer has also published.
From the main tower of this instrumental crystal palace, Bang's mercurial voice rises, like Bryan Ferry imprisoned in a ghostly dimension of pop matter. Because here everything seems to want to question the consensus of pop listening, totally willing, as if this cluster of songs were about a distant cousin, astral, from Japan's "Tin Drum" (1981) or from "Laughing Stock" (1991) with which Talk Talk established the commandments of post-rock action, from which the hypnotic “Portraits Of You” seems to have been rescued. Both this track and the rest that make up "Walk Through Lightly" underline the influence that the inimitable Bark Psychosis had, here sublimated in the underlying obsession, at all times, to amplify the sensation of each of the tracks.
The haunting arty minimalism articulated in "Measured Response" and "Father’s Day" represent the most personal facet of a group capable of invoking rivers of beauty as dreamy as "Invocation." Court where they also make use of their praxis, molded around a minimal compositional base, from which they immerse themselves in the maelstrom of improvisation, channeled from the composition with sonic particles painted on canvas in the atmosphere. This pictorial sensation, without apparent compositional ties, is very present in “Murmuration”. Topics like the latter allude to the lyrical obsession of a group that, as reflected in their lyrics, makes no distinction between the real world and gaseous, dreamy states of mind. As much as in “Passover” or in the title of the album: weighty samples of what it means to carve the air that surrounds us with surreal symphonies full of oxygen. The same ones that make up so strewn cosmos of weightless pop. ∎
Electronic Sound review of Dark Star Safari
High appraisal for "Walk Through Lightly" album in British magazine, Electronic Sound
For their second Dark Star Safari release, the Norwegian quintet of Jan Bang, Erik Honoré, Eivind Aarset, Samuel Rohrer and John Derek "Tortusa" Bishop deal in extreme subtleties, both acoustic and electronic. On tracks such as "Father´s Day", "Invocation" or "Passover", its what's going on behind Bang´s gently ruminative vocal that's important. We hear atomized modular synth sequences, forced silences, rich, unidentified textures and gently swinging jazz motifs, all structured with a quiet enveloping intensity. Understated, but powerful - MS
Rolling Stone review
Four and a half stars out of five for Dark Star Safari
High appraisal for Walk through lightly in German Rolling Stone magazine October issue.
Dark Star Safari’s Second Album Next on Arjunamusic Records
'Walk Through Lightly' LP is scheduled for September 24 release.
Walk Through Lightly is the group’s second album, following their self-titled debut in 2019. It’s the first to feature John Derek Bishop, a producer from Stavanger, Norway. This makes for a “more organic refinement” upon a methodology that sees them writing songs using a two-stage process: an initial phase of free-flowing open improvisation, and a subsequent “exploratory phase” where “hidden potentials” are “discovered and nurtured.”
Within these layered, many-textured fabrics, the lyrical imagery delivered by Bang focuses upon coming to grips with sudden transformations.
We’re told that this second album is “frosted over with a Scandinavian sense of spatiality and melancholy,” and that listeners will feel as if “teleported directly into the middle of an enigmatic film-in-progress.”
Arjunamusic Records, based in Berlin, Germany, has been focusing on experimental acoustic music since 2012. For more information on label head Samuel Rohrer, check out his XLR8R podcast here.
02.Life Stand Still
03. Portraits of You
04. Measured Response
05. Father’s Day
10. Walk Through Lightly
Walk Through Lightly LP is scheduled for September 24 release.
Editor’s note: We’ll add pre-order links and public streams as they become available.